Experimental Woodcut Printmaking: Colorful Multi-Layer Prints

$170.00

Instructed by Ray Seebeck

Saturday, April 25, 12-6pm

Class Size: Maximum 8

In this hands-on workshop, participants will create multi-layer woodcut prints using a single-block reduction method on 6×8 woodblocks. We’ll carve and print successive layers from the same block, building up color and image through a process that is both structured and intuitive.

Woodcut is one of the earliest forms of printmaking and has been used for thousands of years across cultures. In this workshop, we’ll approach the medium as an experimental and expressive process, with a particular focus on how color can shape meaning and visual impact.

Participants should bring 3–5 source images, which we’ll look at together and refine for the reduction process. Emphasis will be on nature or landscape imagery, or portraiture, approached either representationally or abstractly. However please feel free to bring any ideas, sketches, or source images you'd like to work with.

We’ll cover:

  • Choosing an image that adapts well to multi-layer printing

  • Transferring a drawing onto the woodblock

  • Planning color sequences and carving stages

  • Printing and carving successive layers

  • Knowing when a print is finished

Instructed by Ray Seebeck

Saturday, April 25, 12-6pm

Class Size: Maximum 8

In this hands-on workshop, participants will create multi-layer woodcut prints using a single-block reduction method on 6×8 woodblocks. We’ll carve and print successive layers from the same block, building up color and image through a process that is both structured and intuitive.

Woodcut is one of the earliest forms of printmaking and has been used for thousands of years across cultures. In this workshop, we’ll approach the medium as an experimental and expressive process, with a particular focus on how color can shape meaning and visual impact.

Participants should bring 3–5 source images, which we’ll look at together and refine for the reduction process. Emphasis will be on nature or landscape imagery, or portraiture, approached either representationally or abstractly. However please feel free to bring any ideas, sketches, or source images you'd like to work with.

We’ll cover:

  • Choosing an image that adapts well to multi-layer printing

  • Transferring a drawing onto the woodblock

  • Planning color sequences and carving stages

  • Printing and carving successive layers

  • Knowing when a print is finished

Ray Seebeck

https://www.rayseebeck.com/

Ray Seebeck is an artist and publisher currently living in the Detroit, Michigan area. They studied Print Media and received a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago in 2018. As an early career artist, they focused on experimental drawing series and book arts. In 2021, they started their independent art biennial Magazine TM, which highlights artists through creative handmade book arts techniques and is currently working on its third release. During a three-year period working at Free Range in Chicago, they produced over 50 woodcuts focused on landscape, figures, and interiors, along with two magazine releases. Their work is held in collections including the Joan Flasch Artists’ Book Collection and the Samir Husni Magazine Collection at the University of Missouri. They are currently an MFA student in Print Media (2027) at Cranbrook Academy of Art in Bloomfield Hills, Michigan.